Michael Craig-Martin - Love/Glove
Michael Craig-Martin - Love/Glove
Edition of 150
Six colour screen print on 410gsm Somerset Satin paper
72.4 x 66.2 cm
Signed, numbered and dated by the artist 2011
About the artist:
Sir Michael Craig-Martin CBE RA is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths.
Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades.
Michael Craig-Martin - Love/Glove
Edition of 150
Six colour screen print on 410gsm Somerset Satin paper
72.4 x 66.2 cm
Signed, numbered and dated by the artist 2011
About the artist:
Sir Michael Craig-Martin CBE RA is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths.
Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades.
Michael Craig-Martin - Love/Glove
Edition of 150
Six colour screen print on 410gsm Somerset Satin paper
72.4 x 66.2 cm
Signed, numbered and dated by the artist 2011
About the artist:
Sir Michael Craig-Martin CBE RA is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths.
Michael Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures. The perceptual tension between object, representation, and language has been his central concern over the past four decades.